Most of Ines’ pieces are text-based; her artworks are often replaced by their description
in written or sound pieces, which, in turn, are sometimes recorded and sometimes performed
live. The dematerialisation of her artworks doesn’t result in the use of language to express
concepts, but rather narratives (this is clearly seen in her updated version of Robert Barry’s
Radiation Piece at Kunsthalle Bern). The transmission of her works relies on a mechanism
similar to storytelling tradition, being their constant transformation a logical consequence of
such process. Her practice is thus in a constant flux, always in progress. Ines is used to act
collaboratively and to apply aspects of curatorial practice to her work.
Text by Dutch Art Institute



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